The Glass Is Empty

The Glass Is Empty

Through the bottom
of a glass
the world is 
kinder, manageable
For as long
as the buzz lasts
Slipping into
an alcohol-soaked
oblivion
 
Numbing the agony
temporarily
until a different 
pain wakens
the dysfunctional
corpse
Hammering the head
into familiar
regret
 
Looking out my
front door
I see no new horizon
No muse
to inspire
or cheering squad
to lift my weary soul
and reconfirm
my existence
 
Just a familiar fog
that will obscure
the goodness
I can no longer find
without liquid courage
and confuse
those of us
who see no point
in anything anymore
 
 
Christine Bolton - Poetry for Healing ©

This poem was written in response to
today's prompts and is not indicative
of me or my life
🙂

Lillian is hosting D'Verse Poets
Open Link Night

Prompts:

Glass - FOWC
Muse - Word of the Day
Looking out my front door - RDP

One Liner Wednesday

Good morning and welcome to another Wednesday. This week I came across this very true statement. I also believe these people never hurt themselves when they fall over.

Hope you enjoy your day!

In response to Linda G. Hill’s One Liner Wednesday

Calla Lily

Calla Lily

I am tall
and elegant
My beauty
is my simplicity
 
Slender body
with trumpet topper
Green and cream but
beware my toxicity
 
Standing straight
and upright
Expensive but
cherished
 
Clutched
to a brides bosom
wrapped in satin
until I have perished
 
 
Christine Bolton - Poetry for Healing ©

Linda from Charmed Chaos is hosting
D'Verse Poets tonight and has prompted
us with Flowers. She asked us to write a poem
as if we were the flower. I was inspired by the
beauty of Calla Lillies and their simplicity.


Photo by Ava Sol on Unsplash

Evanescent – Flash Fiction

Evanescent

Theirs was a short, passionate history going back years.  They had been close. So close they could read each other’s minds.  They would often finish each other’s sentences as if they were one and the same person.  Kindred spirits who ran feely with not a care in the world.

Their bond was deep but it was evanescent. It seemed to us that as quickly as it had blossomed, it was over

They say there are moments caught between heartbeats where love lies dormant, sometimes for a lifetime.  All it takes is for that one special soul to find their way in into the layers of our mind and ignite that fiery passion.  

This is how it was for them.  The spark was kindled but they took no care of their fire.  The embers were left dying in the dirt until it burned no more.

Christine Bolton – Poetry for Healing ©


Kim of Writing in North Norfolk is hosting Prosery
at D'Verse Poets tonight and has asked us to write
a flash fiction piece that includes these words from
a Louis MacNeice poem called 'Coda"
There are moments caught between heart-beats’.
Prosery requirement is exactly 144 words excluding the title.

Image by Alejandro Tuzzi from Pixabay 
 
Word Prompts
Evanescent - RDP
History - FOWC

Song Lyric Sunday – Come On Eileen

Thank you Jim Adams for the series of prompts this week for Song Lyric Sunday. With words like Come, Go, Leave and Stay I new there would be many songs to choose from. My pick is Come on Eileen by Dexy’s Midnight Runners. This is one of those songs that always puts me in a place and time when you hear it. The video begins with some footage of 1950’s singer/songwriter Johnny Ray arriving in London. The opening lines of the song refer to him.

Hope you enjoy it and have a great Sunday.

Come On Eileen” is a song by English group Dexys Midnight Runners (credited to Dexys Midnight Runners and the Emerald Express), released in the United Kingdom on 25 June 1982 as a single from their album Too-Rye-Ay. It reached number one in the United States, and was their second number one hit in the UK, following 1980’s “Geno”. The song was written by Kevin Rowland, Jim Paterson and Billy Adams, and was produced by Clive Langer and Alan Winstanley.

“Come On Eileen” won Best British Single at the 1983 Brit Awards and in 2015 the song was voted by the British public as the nation’s sixth favourite 1980s number one in a poll for ITV. It was ranked number 18 on VH1’s 100 Greatest Songs of the ’80s. 

There are various versions of the song, some in addition to the main section featuring either an intro of a Celtic fiddle solo, or an a cappella coda both based on Thomas Moore’s Irish folk song “Believe Me, if All Those Endearing Young Charms”.

The main section begins with a Celtic-style fiddle played over a drum beat, with the bass guitar and piano providing accompaniment.

The lyrics of the song begin with the lines:

Poor old Johnnie Ray
Sounded sad upon the radio
Moved a million hearts in mono
Our mothers cried, sang along
Who would blame them?

The phrase “Come on Eileen” is used as the chorus to the song, which was loosely inspired by the song “A Man Like Me” by the 1960s British soul group Jimmy James and the Vagabonds.

The bridge of “Come On Eileen” features an improvised counter-melody which begins in a slow tempo and gets faster and faster over an accelerando vocal backing. The chord sequence of the bridge is actually the same as the verses, but transposed up by a whole tone.

Throughout the song, there are numerous tempo changes and key changes:

The 1982 music video was filmed in the inner south London suburb of Kennington in the vicinity of the corner of Brook Drive and Hayles Street, then Austral Street and Holyoak Road. The character of “Eileen” in the music video, as well as on the single cover, is played by Máire Fahey, sister of Siobhan Fahey from Bananarama.

Archival footage of Johnnie Ray arriving at London Heathrow Airport in 1954 was featured in the video.

In a poll by Channel 4 a UK TV channel, the song was placed at number 38 in the 100 greatest number one singles of all time. Similar polls by the music channel VH1 placed the song at number three in the 100 Greatest One-hit Wonders of all time,] number 18 in VH1’s 100 Greatest Songs of the 1980’s[5] and number one in the 100 Greatest One Hit Wonders of the 80s[14] (the group had a previous number-one single in the UK—”Geno” in 1980—but “Come On Eileen” was their only US hit). “Come on Eileen” has sold 1.33 million copies in the UK as of June 2013.

The song reached number one in the United States on the Billboard Hot 100 charts during the week ending 23 April 1983. “Come on Eileen” prevented Michael Jackson from having back-to-back number one hits in the US: “Billie Jean” was the number one single the previous seven weeks, while “Beat It” was the number one song the ensuing three.

Backstory courtesy of Wiki

Lyrics
 
Come on, Eileen
Come on, Eileen
 
Poor old Johnny Ray
Sounded sad upon the radio
But he moved a million hearts in mono
Our mothers cried, sang along, who'd blame them
 
You're grown (so grown up)
So grown (so grown up)
Now I must say more than ever
(Come on, Eileen)
Too ra loo ra too ra loo rye aye
And we can sing just like our fathers
 
Come on, Eileen, oh I swear (what he means)
At this moment, you mean everything
You in that dress, my thoughts I confess
Verge on dirty
Ah, come on, Eileen
 
Come on, Eileen
 
These people 'round here
Were beaten down, eyes sunk in smoke-dried face
They're resigned to what their fate is
But not us (no, never), no, not us (no, never)
We are far to young and clever
(Remember)
Too ra loo ra too ra loo rye aye
And you'll hum this tune forever
 
Come on, Eileen, oh, I swear (what he means)
Ah, come on let's take off everything
That pretty red dress, Eileen (tell him yes)
Ah, come on let's, ah, come on, Eileen
That pretty red dress, Eileen (tell him yes)
Ah come on let's, ah, come on, Eileen, please
 
Come on, Eileen, too rye aye
Come on, Eileen, too rye aye
Now you're full grown
Now you have shown
Oh, Eileen
 
Said, come on, Eileen
These things they are real and I know
How you feel
Now I must say more than ever
Things 'round here have changed
I say, too ra loo ra, too raloo rye aye
 
Come on, Eileen

Oh, I swear (what he means)
At this moment, you mean everything
You in that dress, my thoughts I confess
Verge on dirty
Ah, come on, Eileen
Oh, come on, Eileen
Oh, I swear (what he means)
At this moment, you mean everything
In that dress, oh, my thoughts I confess
Well, they're dirty
Come on, Eileen
Come on, Eileen
 
Source: LyricFind
Songwriters: James Paterson/Kevin Rowland/Kevin Adams
Come On Eileen lyrics © Sony/ATV Music Publishing LLC
 
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