Welcome to another Song Lyric Sunday, hosted by our friend Jim Adams. This prompt today is to find a song that mentions a musical instrument. I have chosen Mr. Tambourine Man by The Byrds. Nowadays a tambourine is rarely used in modern music and neither is a harmonica for that matter.
Enjoy this song from the 1960s and have a relaxed and peaceful Sunday.
Bob Dylan wrote “Mr. Tambourine Man,” which was originally released on his fifth album, Bringing It All Back Home, on March 22, 1965. His version wasn’t released as a single, but when The Byrds released their cover on April 12, 1965, it was a transatlantic hit, topping the charts in both the US (on June 26) and UK (on July 22). It’s the only song Dylan ever wrote that went to #1 in America (in the UK, Manfred Mann’s cover of “Quinn The Eskimo” also went to #1).
Dylan claims that despite popular belief, this song is not about drugs. In the liner notes to his 1985 compilation Biograph, he wrote: “Drugs never played a part in that song… ‘disappearing through the smoke rings in my mind,’ that’s not drugs; drugs were never that big a thing with me. I could take ’em or leave ’em, never hung me up.”
This was inspired by a folk guitarist named Bruce Langhorne. As Dylan explained: “Bruce was playing with me on a bunch of early records. On one session, [producer] Tom Wilson had asked him to play tambourine. And he had this gigantic tambourine. It was, like, really big. It was as big as a wagon wheel. He was playing and this vision of him playing just stuck in my mind.”
Dylan never told Langhorne about it (Bruce had to read about it in the Biograph album liner notes, like the rest of us). He wrote the song and recorded a version with Ramblin’ Jack Elliott that got to The Byrds (known as the Jet Set at the time) before it was ever put on a record. >>
Dylan wrote this on a road trip he took with some friends from New York to San Francisco. They smoked lots of marijuana along the way, replenishing their stash at post offices where they had mailed pot along the way. He started writing it after they got to Mardi Gras in New Orleans and partied there the night of February 11, 1964
.The Byrds version is based on Bob Dylan’s demo of the song that he recorded during sessions for his 1964 album Another Side of Bob Dylan (Dylan’s version was not yet released when The Byrds recorded it). It was The Byrds’ manager, Jim Dickson, who brought in the demo and asked them to record it – the group refused at first because they thought it didn’t have any hit potential. When The Byrds did record it, they took some lyrics out and added a 12-string guitar lead.
“Kudos to Roger McGuinn for taking on ‘Tambourine Man,’ which didn’t knock us out when we first heard it,” Byrds bass player Chris Hillman said in a Songfacts interview. “Bob Dylan had written it in a very countrified groove, a straight 2/4 time signature, and Roger takes the song home and works with it, puts it in 4/4 time, so you could dance to it. Bob heard us do it and said, ‘Man, you could dance to this!’ It really knocked him over and he loved it.”
Only three of the five members of the Byrds performed on this song: Roger McGuinn sang lead and played lead guitar; Gene Clark and David Crosby did the vocal harmonies.
Session musicians were brought in to play the other instruments, since the band was just starting out and wasn’t deemed good enough yet by their management. The session musicians who played on this song were the Los Angeles members of what came to be known as “The Wrecking Crew” when drummer Hal Blaine used that term in his 1990 book. This group of about 50 players ended up on many hit songs of the era.
In addition to Blaine, studio pros who played on “Mr. Tambourine Man” were:
Bill Pitman – guitar
Jerry Cole – guitar
Larry Knechtel – bass
Leon Russell – piano
The Byrds who didn’t play on this one were bass player Chris Hillman and drummer Michael Clarke.
This was The Byrds’ first single. In a 1975 interview with Let It Rock, Roger McGuinn explained how the unrefined sound of this song came about. Said McGuinn: “To get that sound, that hit sound, that ‘Mr. Tambourine Man’ sound, we just ran it through the electronics which were available to us at that time, which were mainly compression devices and tape delay, tape-sustain. That’s how we got it, by equalizing it properly and aiming at a specific frequency.
For stereo-buffs out there who noticed that ‘Mr. Tambourine Man’ in stereo isn’t really stereo, by the way, that’s because when Terry Melcher, the producer, first started mixing records he didn’t know how to mix stereo, and so he made all the singles up to ‘Turn Turn Turn’ mono. The label is misrepresentative. See, when Columbia Records signed us, they didn’t know what they had. So they gave production to someone low on the totem-pole-which was Terry Melcher who was Doris Day’s son who was getting a token-job-in-the-mailroom sort of thing. They gave him the Byrds and the Byrds were supposed to flunk the test.”
“Mr. Tambourine Man” changed the face of rock music. It launched The Byrds, convinced Dylan to “go electric,” and started the folk-rock movement. David Crosby of The Byrds recalled the day Dylan heard them working on the song: “He came to hear us in the studio when we were building The Byrds. After the word got out that we gonna do ‘Mr. Tambourine Man’ and we were probably gonna be good, he came there and he heard us playing his song electric, and you could see the gears grinding in his head. It was plain as day. It was like watching a slow-motion lightning bolt.” (Quote from Bob Dylan: Performing Artist: The Early Years.)
This was the first of many Bob Dylan songs recorded by The Byrds. Others include: “You Ain’t Goin’ Nowhere,” “The Times They Are a-Changin’,” “It’s All Over Now Baby Blue,” and “Chimes of Freedom.”
The production style was based on The Beach Boys song “Don’t Worry Baby,” which was the suggestion of producer Terry Melcher. Bill Pitman, Leon Russell and Hal Blaine had all played on that Beach Boys song, so it wasn’t hard for them to re-create the sound on this track.
Roger McGuinn explained: “I was shooting for a vocal that was very calculated between John Lennon and Bob Dylan. I was trying to cut some middle ground between those two voices.”
This was the first influential folk-rock song. All of the characteristics of that genre are present, including chorus harmonies, a rock rhythm section and lots of thought-provoking lyrics.
Sure, anyone can strike up a hit with Bob Dylan as your songwriter and The Wrecking Crew as your band, but The Byrds quickly proved their mettle with songs they wrote (and played on) like “Eight Miles High” and “So You Want To Be A Rock ‘N’ Roll Star.” They entered the Rock and Roll Hall of Fame in 1991.
The Byrds recorded this under a one-single deal with Columbia Records that Miles Davis helped secure. Davis, who was signed to Columbia, knew a friend of the band’s manager, and as a favor called Columbia boss Goddard Lieberson to ask for the deal. Davis made that case that it was the kind of music young people were listening to.
Courtesy of Songfacts
Hey! Mr. Tambourine Man, play a song for me I'm not sleepy and there is no place I'm going to Hey! Mr. Tambourine Man, play a song for me In the jingle jangle morning I'll come followin' you Though I know that evenin's empire has returned into sand Vanished from my hand Left me blindly here to stand but still not sleeping My weariness amazes me, I'm branded on my feet I have no one to meet And the ancient empty street's too dead for dreaming Hey! Mr. Tambourine Man, play a song for me I'm not sleepy and there is no place I'm going to Hey! Mr. Tambourine Man, play a song for me In the jingle jangle morning I'll come followin' you Take me on a trip upon your magic swirlin' ship My senses have been stripped, my hands can't feel to grip My toes too numb to step Wait only for my boot heels to be wanderin' I'm ready to go anywhere, I'm ready for to fade Into my own parade, cast your dancing spell my way I promise to go under it Hey! Mr. Tambourine Man, play a song for me I'm not sleepy and there is no place I'm going to Hey! Mr. Tambourine Man, play a song for me In the jingle jangle morning I'll come followin' you Though you might hear laughin', spinnin', swingin' madly across the sun It's not aimed at anyone, it's just escapin' on the run And but for the sky there are no fences facin' And if you hear vague traces of skippin' reels of rhyme To your tambourine in time, it's just a ragged clown behind I wouldn't pay it any mind It's just a shadow you're seein' that he's chasing Hey! Mr. Tambourine Man, play a song for me I'm not sleepy and there is no place I'm going to Hey! Mr. Tambourine Man, play a song for me In the jingle jangle morning I'll come followin' you Then take me disappearin' through the smoke rings of my mind Down the foggy ruins of time, far past the frozen leaves The haunted, frightened trees, out to the windy beach Far from the twisted reach of crazy sorrow Yes, to dance beneath the diamond sky with one hand waving free Silhouetted by the sea, circled by the circus sands With all memory and fate driven deep beneath the waves Let me forget about today until tomorrow Hey! Mr. Tambourine Man, play a song for me I'm not sleepy and there is no place I'm going to Hey! Mr. Tambourine Man, play a song for me In the jingle jangle morning I'll come followin' you Writer/s: Bob Dylan Publisher: Universal Music Publishing Group Lyrics licensed and provided by LyricFind