Category: Blog

Song Lyric Sunday – Ain’t No Sunshine When She’s Gone

Some generous prompts have been provided to us this week for Song Lyric Sunday, courtesy of one of our fellow bloggers, Angie, from King Ben’s Grandma. She has given us a chance to find songs with Heavenly Bodies, Planets, Moon, Sun and Stars in the title or lyrics. There are so many songs to choose from I wonder if we will have any duplicates this week. I can’t wait to see what everyone picks.

I have chosen a song that I first shared in January 2019. It’s a Bill Withers classic, Ain’t No Sunshine When She’s Gone. At that time I did not offer any backstory for the song or Bill Withers, so this is a good time to do it. It’s a great, moody song and the only thing I didn’t like about it is that it’s too short!

At the end of this post, I have included the video from Wither’s induction into the Rock and Roll Hall of Fame in 2015, where Stevie Wonder sang this song and Bill Withers ’assisted’.

Bill Withers died in 2020 at age 81.

The Song

In a Songfacts interview with Bill Withers, he explained how this song came about: “I was watching a movie called Days Of Wine And Roses (1962) with Lee Remick and Jack Lemmon. They were both alcoholics who were alternately weak and strong. It’s like going back for seconds on rat poison. Sometimes you miss things that weren’t particularly good for you. It’s just something that crossed my mind from watching that movie, and probably something else that happened in my life that I’m not aware of.”

This was Withers’ first hit. After spending nine years in the US Navy, he had a job at a factory making parts for airplanes when he was introduced to Booker T. Jones from Booker T. & the MG’s. Booker was an elite session musician with Stax Records, where Otis Redding, Wilson Pickett and many other soul legends recorded. He brought in some other top-notch musicians, including Stephen Stills on lead guitar, and produced this album for Withers, who was 32 when it was recorded.

This was released as the B-side to another song called “Harlem.” Disc jockeys played this as the single instead and it became a hit.

All the instruments on this track are acoustic. Personnel are:

Withers: guitar, vocal
Booker T. Jones: keyboards
Stephen Stills: guitar
Jim Keltner: drums
Bobbye Hall: percussion

The part where Withers repeats “I know, I know,” has become a very recognizable piece of the song, but it wasn’t what he had in mind. Withers told Songfacts: “I wasn’t going to do that, then Booker T. said, ‘No, leave it like that.’ I was going to write something there, but there was a general consensus in the studio. It was an interesting thing because I’ve got all these guys that were already established, and I was working in the factory at the time. Graham Nash was sitting right in front of me, just offering his support. Stephen Stills was playing and there was Booker T. and Al Jackson and Donald Dunn – all of the MGs except Steve Cropper. They were all these people with all this experience and all these reputations, and I was this factory worker just sort of puttering around. So when their general feeling was, ‘Leave it like that,’ I left it like that.”

The MGs were the backup band for Otis Redding when he recorded “Dock Of The Bay” in 1967. The famous whistling in the third verse of that song was something Redding did to fill time until he could fill it in with some words. He never had the chance because he died in a plane crash three days later. The whistling stayed, just like Withers’ verse of “I knows.”

On its first release, this song did not chart in the UK, but Michael Jackson’s cover hit #8 there in 1972. Withers’ original version eventually made its first entry into the UK singles chart in May 2009 after being performed on Britain’s Got Talent by contestant Shaun Smith.

Withers performed this on an episode of The Old Grey Whistle Test, a British TV show that ran from 1971-1987 and featured a variety of musical guests. In the ’70s, the show was shot in a small studio with no audience, which resulted in more relaxed performances where the artists could concentrate on their music. Withers’ appearance is considered a classic from the show, and was included in a DVD compilation released in 2001.

Won the Grammy for Best R&B Song in 1972.

“Ain’t no” isn’t good grammar, but in the context of a song it sounds a lot better than “there isn’t any.” Motown acts often used it, notably on “Ain’t No Mountain High Enough” and “Ain’t No Woman (Like The One I’ve Got).”

This was used in the movies Girls Town (1996), Notting Hill (1999), Old School (2003) and Munich (2005). TV shows to use the song include Monk (2005), CSI: NY (2009) and Scandal (2013).

Besides Michael Jackson, this has been covered by many artists in a wide range of styles. Paul McCartney, Isaac Hayes, Lionel Hampton, Prince, Sting, Kenny Rogers, Tom Jones and Lighthouse Family have all recorded it. It was also interpolated by rapper DMX for his 2001 song “No Sunshine.”

Sax player Grover Washington became the first person to cover one of Withers’ songs when he did an instrumental version shortly after Withers released his. In 1981, Washington and Withers teamed up to record “Just The Two Of Us.”

There is no introduction on this song, as the vocals come in right away. This was thought of as bad for marketing purposes, as it meant disc jockeys couldn’t talk it up, but it gave the song a more interesting structure. Withers’ label Sussex Records gave him plenty of artistic freedom, which he lost when Sussex folded and he moved to Columbia. In the 2009 documentary Still Bill, Withers explains, “If nobody throws all their rules at you, you might make a song with no introduction.”

The metal band Black Label Society recorded this song and issued it as a single in 2013. Band members John DeServio and Zakk Wylde decided to cover it after seeing a 1974 episode of the TV show The Midnight Special, where Withers performed the song.

Black Label Society made an unusual video for the song featuring anthropomorphic horses. In our interview with Zakk Wylde, he said that he got a kick out of reading the negative comments about the video from folks who didn’t get the joke, comparing the hostility to what his professional wrestler friends get when they turn heel.

Stevie Wonder inducted Bill Withers into the Rock and Roll Hall of Fame in 2015. At the ceremony, Wonder performed this song with Withers sitting next to him on stage. Withers decided not to perform at the ceremony, although he appeared midway through Wonder and John Legend’s performance of “Lean On Me” to join on vocals.

In the 2015 Shawn Mendes song “I Know What You Did Last Summer,” he and his duet partner Camila Cabello sing “I know” sections similar to how Withers did in “Ain’t No Sunshine.” Wither was given a songwriting credit because the vocal is so similar.

The Lyrics

Ain't no sunshine when she's gone
It's not warm when she's away
Ain't no sunshine when she's gone
And she's always gone too long
Anytime she goes away

Wonder this time where she's gone
Wonder if she's gone to stay
Ain't no sunshine when she's gone
And this house just ain't no home
Anytime she goes away

And I know, I know, I know, I know,
I know, I know, I know, I know, I know
I know, I know, I know, I know, I know
I know, I know, I know, I know, I know
I know, I know, I know, I know, I know
I know, I know,
Hey, I oughtta leave young thing alone
But ain't no sunshine when she's gone

Ain't no sunshine when she's gone
Only darkness every day
Ain't no sunshine when she's gone
And this house just ain't no home
Anytime she goes away
Anytime she goes away
Anytime she goes away
Anytime she goes away

Songwriters: Bill Withers
Ain't No Sunshine lyrics © Dead Game Publishing, Songs Of Universal Inc.

Courtesy of Songfacts

True Love – A Cadralor

True Love

Shivering, the young woman stepped outside
pulling on the toggle of her duffle coat
shielding herself from the blistering wind
Just after five and darkness had already fallen
as she headed west on the tree-lined avenue

A old man sat quietly in the corner of the café
Staring into his bottomless cup of coffee
Ignoring hunger pains, twiddling with the
hole in the left finger of his old gloves
His head filled with memories suppressed

An elegant woman sat upright with a fixed smile
He, a puffed up blowhard, at the microphone
Commanding attention with his loud voice
and phony diatribe as kiss-asses drooled
Her body ached and her mind lived in the past

A lifetime ago two kids had clung to each other
Inseparable, joined at the hip, in love
She from the house on the hill, privileged
He from the other side of the railroad tracks
His intellect and her beauty, a winning combo

The young woman saw him in the cafe, head lowered
It had been a long time passing before her call to him
Entering he looked up at her, eyes clouded, and she went to him
Her father embraced her and she clung to him tightly
He needed to know his one true love was dying

Copyright © 2021 Christine Bolton - Poetry for Healing
All Rights Reserved

Bjorn is hosting D'Verse Poets and has prompted us with a form
called Cadralor.
The cadralor is a poem of 5, unrelated, numbered stanzaic images, each of which can stand alone as a poem, is fewer than 10 lines, and ideally constrains all stanzas to the same number of lines. Imagery is crucial to cadralore: each stanza should be a whole, imagist poem, almost like a scene from a film, or a photograph. The fifth stanza acts as the crucible, alchemically pulling the unrelated stanzas together into a love poem. By “love poem,” we mean that your fifth stanza illuminates a gleaming thread that runs obliquely through the unrelated stanzas and answers the compelling question: “For what do you yearn?” 

Image by Please Don't sell My Artwork AS IS from Pixabay 

One Liner Wednesday – Reflection

On reflection, and as we get older, do you find there are always a lot of “what if” statements that come to mind? I try not to do it because what’s the point? There are no do-overs in this life but it would be fun just to imagine how life could have been knowing then what we know now. Don’t you agree?

For Linda G. Hill’s One Liner Wednesday



At the darkest of hours
when nothing is left to be taken
Stripped bare of dignity
Pummeled into dirt
The taste still lingering in your mouth
even after you have wretched
it from your body
You dig even deeper than
where you have been before
Finding those special gifts
bestowed on you by all who
have beaten you down
Resilience and resolve
These are the things that lift you
from the hell that was your life
Your champions and saviors
who always know where you are
when you need them the most

Copyright © 2021 Christine Bolton - Poetry for Healing
All Rights Reserved

Sanaa is hosting D'Verse poets and has asked us to write a panegyric poem
in honor of someone or something.  I looked within, grateful for my inner

Image by adelmo adelmo from Pixabay 

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