Tag: protest

Blog, Song Lyric Sunday

Song Lyric Sunday – Long Time Gone

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Good prompts this week from Jim Adams at Song Lyric Sunday. He gave us Long, Tall, Small and Short. There are some obvious ones but I decided to dig a little deeper and came up with this great song and video from The Chicks (formerly known as the Dixie Chicks – good for them for changing that name!). They are from Texas and as I lived in Dallas for around 14 years, I watched them become very popular. The first time I saw them they were performing downtown Dallas at one of the many outdoor festivals. They were very talented singers and musicians so it was no surprise they made the big time.

This song itself does not have much of a story behind the writing of it but it’s a good one! The Chicks have a better story and that’s probably why I like them so much. The following article was on NPR.org in June of 2020.

The country trio Dixie Chicks have changed the group’s name to The Chicks in an apparent distancing from a name associated with the Confederate-era South. 

The switch was not made with any kind of official announcement or explanation but simply with the release of a new song, “March March,” on Thursday. Its lyrics and video reference current and past public protests involving racial justice, police brutality, gun violence, climate change and LGBTQ rights. The video compares current themes to historical fights in the U.S. for women’s right to vote and the struggles for Black and LGBTQ civil rights.

The video also scrolls the names of dozens of Black victims of police brutality and those who died in apparently racially motivated confrontations, including George Floyd, Breonna Taylor, Ahmaud Arbery, Eric Garner and Amadou Diallo. The list of names that quickly flash by goes on for more than a full minute.

For years, the Dixie Chicks — Natalie Maines, Emily Strayer and Martie Maguire — served as a cautionary tale to country musicians in terms of avoiding politics. In 2003, shortly before the U.S. invaded Iraq, Maines told an audience in London that they did not support the military action and that she was “ashamed” that then-U.S. President George W. Bush was, like the band, from Texas.

The musicians experienced immediate career fallout. Despite having been massively popular with country audiences before those statements, the group was dropped from country radio stations. Some country fans also staged anti-Dixie Chick demonstrations, which included destroying copies of the band’s CDs.

The damage was lasting. Three years later, broadcast networks including NBC and the CW refused to run ads for a documentary film about the group — called Shut Up & Sing. And the band never really recovered its relationship with the mainstream country industry.

A spokesperson for the group’s label, Columbia Records (part of Sony Music Entertainment), told NPR on Thursday that The Chicks had no comment on the name change. But the switch comes two weeks after another country group, the former Lady Antebellum, changed its name to Lady A. That change was accompanied by a social media statement in which Lady A said that the country’s recent attempts to reckon with racial justice issues had made the band members’ eyes open wide to inequality.

Courtesy of NPR.org

The song, “Long Time Gone”, is about the sorry state of Contemporary Country music. The lyric, “They sound tired but they don’t sound Haggard, they have money but they don’t have Cash,” is a reference to Country legends Merle Haggard and Johnny Cash. The song implies that today’s Country has no soul.

This was written and originally recorded by Darrell Scott on his 2000 album Real Time. Scott is a prominent session guitarist and songwriter as well as a performer.

The song was covered by The Chicks on their 2002 album Home, despite having been written from a presumably male point of view. Released in May 2002 as the lead single from Home, it reached a peak of number 2 on the Billboard Hot Country Songs chart[1] and number 7 on the Billboard Hot 100 chart. Their version won a Grammy Award for Best Country Vocal Performance by a Duo or Group.

Courtesy of Songfacts and Wiki

Lyrics

Daddy sits on the front porch swinging,
Looking out on a vacant field.
Used to be filled with burley t'bacca.
Now he knows it never will.

My brother found work in Indiana,
Sister's a nurse at the old folks home.
Mama's still cooking too much for supper,
And me, I've been a long time gone.

Been a long time gone,
No, I ain't hoed a row since I don't know when.
Long time gone, and it ain't coming back again.

Delia plays that ol' church piano,
Sittin' out on her daddy's farm.
She always thought that we'd be together,
Lord, I never meant to do her harm.

Said she could hear me singin' in the choir,
Me, I heard another song.
I caught wind and hit the road runnin',
And Lord, I've been a long time gone.

Been a long time gone,
Lord, I ain't had a prayer since I don't know when.
Long time gone, and it ain't comin' back again.

Now me, I went to Nashville,
Tryin' to beat the big deal.
Playin' down on Broadway,
Gettin' there the hard way.
Living from a tip jar,
Sleeping in my car.
Hocking my guitar,
Yeah, I'm gonna be a star.

Now, me and Delia singing every Sunday,
Watching the children and the garden grow.
We listen to the radio to hear what's cookin',
But the music ain't got no soul.

Now they sound tired but they don't sound Haggard,
They've got money but they don't have Cash.
They got Junior but they don't have Hank.
I think, I think, I think, the rest is,
A long time gone,

No, I ain't hit the roof since I don't know when.
Long time gone, and it ain't coming back.

I said a long time gone,
No, I ain't honked the horn since I don't know when.
Long time gone, and it ain't coming back again.

I said a long time, long time, long time gone.
Well, it's been a long time.

Long time, long time, long time gone,
Oh, it's been a long time gone.

Long time, long time, long time gone.
Yeah, yeah.

Writer/s: Darrell Scott 
Publisher: Sony/ATV Music Publishing LLC, BMG Rights Management
Lyrics licensed and provided by LyricFind
Blog, Song Lyric Sunday

Song Lyric Sunday – What’s Going On – Marvin Gaye

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Brother, Brother, Brother

This week, our host for Song Lyric Sunday, Jim Adams, has prompted us with Brother, Sister and Siblings. I can think of several songs but I’m curious to see what others come up with today. Maybe some siblings in a duo or band.

My choice is a great song by Marvin Gaye, “What’s Going On” from the controversial album of the same name released in 1971. The album was ahead of its time with references to protests, anti-war and climate change in songs such as What’s Going On and Mercy, Mercy, Me.

When you read the story behind this song and album you will realize that history continues to repeat itself. What was happening then in the 60s is happening right now in 2020.

The song topped Detroit’s Metro Times list of the 100 Greatest Detroit Songs of All Time, and in 2004, Rolling Stone magazine ranked it the fourth-greatest song of all time; in its updated 2011 list, the song remained at that position. It is included in the Rock & Roll Hall of Fame’s 500 Songs that Shaped Rock and Roll list, along with two other songs by the singer. It was also listed at number fourteen on VH-1’s 100 Greatest Rock Songs. 

The song’s inspiration came from Renaldo “Obie” Benson, a member of the Motown vocal group the Four Tops, after he and the group’s tour bus arrived at Berkeley on May 15, 1969. While there, Benson witnessed police brutality and violence in the city’s People’s Park during a protest held by anti-war activists in what was hailed later as “Bloody Thursday”.  Upset by the situation, Benson said to author Ben Edmonds that as he saw this, he asked, “‘What is happening here?’ One question led to another. Why are they sending kids so far away from their families overseas? Why are they attacking their own children in the streets?” 

Upset, he discussed what he witnessed with friend and songwriter Al Cleveland, who in turn wrote and composed a song to reflect Benson’s concerns. Benson wanted to give the song to his group but the other Four Tops turned down the request. “My partners told me it was a protest song”, Benson said later, “I said ‘no man, it’s a love song, about love and understanding. I’m not protesting, I want to know what’s going on.” In 1970, Benson presented the untitled song to Marvin Gaye, who added a new melody and revised the song to his liking, adding in his own lyrics. Benson later said Gaye tweaked and enriched the song, “added some things that were more ghetto, more natural, which made it seem like a story than a song… we measured him for the suit and he tailored the hell out of it.”  Gaye titled it “What’s Going On”. When Gaye initially thought the song’s moody feel would be appropriate to be recorded by The Originals, Benson convinced Gaye to record it as his own song.

Gaye, himself, had been inspired by social ills committed in the United States, citing the 1965 Watts riots as a turning point in his life in which he asked himself, “‘With the world exploding around me, how am I supposed to keep singing love songs?”  Gaye was also influenced by emotional conversations shared between him and his brother Frankie, who had returned from three years of service at the Vietnam War and his namesake cousin’s death while serving troops.  During phone conversations with Berry Gordy, who was vacationing in the Bahamas at the time, Gaye had told Gordy that he wanted to record a protest record, to which Gordy said in response, “Marvin, don’t be ridiculous. That’s taking things too far.”  Courtesy of Wiki

One of Motown Records’ most successful artists, Gaye was married to Anna Gordy, who was the sister of Motown founder Berry Gordy. The singer met Anna in 1960 after the disbandment of the Doo-Wop group Harvey and the Moonglows led him to follow leader Harvey Fuqua to Detroit. He began working as a drummer for Anna Records, a short-lived label run by the Gordy sisters (Anna and Gwen) along with songwriter Billy Davis.

Although Anna was 17 years older than Gaye, the pair married in June of 1963, a month after the singer released his first top-10 single, “Pride and Joy.”

The marriage ended in divorce, and Gaye named his 1976 album Here, My Dear after agreeing that royalties from the album would be used to pay alimony to Anna. Even though Gaye knew he would not see any money from the album, he still gave it his best effort.

Early in his career, Gaye was teamed with female Motown artists including Mary Wells and Kim Weston. It was his match with Terrell, however, that made magic. The duo recorded several hits together, often penned by the songwriting team Nickolas Ashford and Valerie Simpson, such as “Ain’t No Mountain High Enough,” “Ain’t Nothing Like The Real Thing” and “Your Precious Love.”

Ashford recalled the duo’s chemistry in an interview with Tavis Smiley: “The two of them together, that blend, I mean, it was like ice cream and cookies or whatever you want to call it, you know, just a good blend.”

Little did they know, their last concert performance together would be at a Homecoming celebration at the Hampden-Sydney College in Virginia in 1967. Terrell collapsed onstage as Gaye rushed to catch her, a result of a brain tumor that would take her life three years later and leave Gaye devastated. According to John Pumilia’s article “Marvin Gaye and Tammi Terrell: Perfect Together,” Gaye recalled: “I think maybe what scared me the most was that I was so angered by the senselessness of it all. I had to accept that it was God’s will, but it was difficult to understand at the time. I grieved for years, and the fact that deep down inside I hated performing with somewhat of a passion made it even easier for me to stop. After taking time off, I developed a real fear of performing and it was even more difficult to come back.”

One of his last public performances was singing the US national anthem at the 1983 NBA All-Star game. At the time, performers were expected to give a restrained and traditional performance when singing the national anthem, but Gaye delivered an emotional performance similar to other songs he would sing in concert. This caused some controversy, but the idea of personalizing the national anthem caught on, and singers often add personal touches to the song even today. >>

One day before the singer’s 45th birthday, an argument between Marvin Jr. and Marvin Sr. escalated into violence. The reasons behind the confrontation are murky. Some claim it was the conclusion of a decades-long period of abuse that the singer endured from his father. Others say depressed Marvin Jr. used his father’s rage as a way to commit suicide without actually having to pull the trigger himself. Regardless, on the night of April 1, 1984, Marvin Jr. was shot twice: once in the chest, once in the shoulder. Paramedics rushed him to the hospital, but his heart had stopped beating and attempts to resuscitate him failed. His funeral took place three days later at Forest Lawn Cemetery in Los Angeles, with notable mourners including Smokey Robinson, Stevie Wonder, Quincy Jones, and Berry Gordy.

According to David Ritz’s Divided Soul: The Life Of Marvin Gaye, Marvin Sr. died without any recollection of shooting his son. After a six-year suspended sentence and a five-year probation period for voluntary manslaughter, he lived the rest of his life in nursing homes in Southern California. He died on October 10, 1998 at the age of 84..

Marvin Gaye always knew he was destined for greatness, but at 17 years old he wasn’t just thinking about singing; he was thinking about flying. As his home life became increasingly volatile, Gaye decided to escape to the United States Air Force and enlist as a Basic Airman. The reality of service and authority didn’t match his romanticized vision of soaring the skies. He realized all too quickly that he didn’t like peeling potatoes and certainly didn’t like taking orders.

“I needed to see the world. I thought that’s what the Air Force would be, but the Air Force was prison,” author David Ritz quotes Gaye in his biography, Divided Soul: The Life of Marvin Gaye. The singer remembered writing his superior officer a letter detailing everything that was wrong with the Air Force. That didn’t go over well.

After just eight months of duty, Gaye was desperate to be sent home. He disobeyed every order he could in an attempt to be kicked out. Eventually, he faked mental illness to get out of service with an honorable discharge in 1957.

In 1974, Marvin Gaye was coming back into the spotlight in more ways than one. He was embarking on his first tour since the tragic death of his duet partner Tammi Terrell four years earlier. Elsewhere, the singer was making a different kind of debut in the pages of a novel. 

A Motown memorabilia collector from Detroit came across Marvin Gaye’s passport from 1964 tucked inside an old record sleeve. He made the discovery after buying a collection of LPs and singles from the family of a deceased former Motown musician. During an appearance on the February 3, 2014 episode of PBS’ Antiques Roadshow, the passport was valued at a minimum of $20,000 by the show’s appraiser Laura Wooley.

Marvin Gaye’s real last name was “Gay.” However, he was a target of bullying in his young days as his father was a crossdresser. It was because of this, added with rumors of the singer’s own homosexuality, that Marvin added an “e” to his last name when he became famous.

Lyrics

Mother, mother
There's too many of you crying
Brother, brother, brother
There's far too many of you dying
You know we've got to find a way
To bring some lovin' here today, yea

Father, father
We don't need to escalate
You see, war is not the answer
For only love can conquer hate
You know we've got to find a way
To bring some lovin' here today

Picket lines and picket signs
Don't punish me with brutality
Talk to me, so you can see
Oh, what's going on
What's going on
Ya, what's going on
Ah, what's going on

In the mean time
Right on, baby
Right on
Right on

Father, father, everybody thinks we're wrong
Oh, but who are they to judge us
Simply because our hair is long
Oh, you know we've got to find a way
To bring some understanding here today
Oh

Picket lines and picket signs
Don't punish me with brutality
Talk to me
So you can see
What's going on
Ya, what's going on
Tell me what's going on
I'll tell you what's going on - Uh
Right on baby
Right on baby

Written by Marvin Gaye

Courtesy of Songfacts

Blog, Politics

I Protest

by  • 

I Protest

Paralyzed
Thoughts scrambled
in a head
heavy with fog
This cannot be happening
The death of democracy
is staring me
square in the eyes
Liberty and freedom
snatched from
the arms that
lifted those
too weary
too poor
too hungry
Our pride in country
squashed
stolen
The dumbing down
of a nation
willingly following
a pied piper
like blind fools
A cheap trickster
lining his pockets
from the coffers
of society
I am frozen
in time
watching helplessly
as a fascist
robs us of democracy
while spitting on 
our constitution
I protest
I protest
I protest
 
 
Christine Bolton - Poetry for Healing ©

Grace is hosting D'Verse Poets tonight
and she has prompted us with Protest Poetry

Blog, Song Lyric Sunday

Song Lyric Sunday – Eve of Destruction

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This week Jim Adams’ prompts for Song Lyric Sunday are Cool, Groovy, Hip, Nifty, Radical and Swell. For some reason, apart from groovy, radical stayed with me the longest. I chose this Barry McGuire protest song, The Eve of Destruction, from the 60s. In many ways I feel we are right back there in the middle of that decade. Any progress we have made in the last 50 plus years has been snatched away from us in the last three.

According to Wikipedia it was written by P. F. Sloan in mid-1964. Several artists have recorded it, but the best-known recording was by Barry McGuire. This recording was made between July 12 and July 15, 1965, and released by Dunhill Records

The song had initially been presented to The Byrds as a Dylanesque potential single, but they rejected it. The Turtles, another L.A. group who often recorded The Byrds’ discarded or rejected material, recorded a version instead. Their version was issued as a track on their 1965 debut album It Ain’t Me Babe, shortly before McGuire’s version was cut; it was eventually released as a single and hit #100 on the Billboard Hot 100 in 1970. The song was also recorded by Jan and Dean on their album Folk ‘n Roll in 1965, using the same backing track as the McGuire version, and by The Grass Roots on their first album Where Were You When I Needed You in 1966.

McGuire’s single hit #1 on the US Billboard Hot 100 and #3 on the UK Singles Chart in September 1965. 

Lyrics

Eve of Destruction
Barry McGuire

The eastern world, it is explodin',
Violence flarin', bullets loadin',
You're old enough to kill but not for votin',
You don't believe in war, but what's that gun you're totin',
And even the Jordan river has bodies floatin',
But you tell me over and over and over again my friend,
Ah, you don't believe we're on the eve of destruction.
 
Don't you understand, what I'm trying to say?
And can't you feel the fears I'm feeling today?
If the button is pushed, there's no running away,
There'll be no one to save with the world in a grave,
Take a look around you, boy, it's bound to scare you, boy,
And you tell me over and over and over again my friend,
Ah, you don't believe we're on the eve of destruction.
 
Yeah, my blood's so mad, feels like coagulatin',
I'm sittin' here, just contemplatin',
I can't twist the truth, it knows no regulation,
Handful of Senators don't pass legislation,
And marches alone can't bring integration,
When human respect is disintegratin',
This whole crazy world is just too frustratin',
And you tell me over and over and over again my friend,
Ah, you don't believe we're on the eve of destruction.
 
Think of all the hate there is in Red China!
Then take a look around to Selma, Alabama!
Ah, you may leave here, for four days in space,
But when your return, it's the same old place,
The poundin' of the drums, the pride and disgrace,
You can bury your dead, but don't leave a trace,
Hate your next door neighbor, but don't forget to say grace,
And you tell me over and over and over and over again my friend,
You don't believe we're on the eve of destruction.
No, no, you don't believe we're on the eve of destruction.
 
Songwriters: P. F. Sloan
Eve of Destruction lyrics © Universal Music Publishing Group,
BMG Rights Management
 
 
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