Tag: Song

One Liner Wednesday – Christmas Songs

Just about every TV commercial right now is Christmas related. When you turn on the radio you hear Christmas songs and carols playing non stop. It is that time of year after all and it helps most people get into the spirit of the season. Talking of spirit and songs, I came across this the other day which cleverly incorporates them both.

Enjoy this holiday season and sing/drink responsibly!

For Linda G. Hill’s One Liner Wednesday

Song Lyric Sunday – Spirit – Lion

Lion, Tiger, Bear, Eagle and Shark are the prompts for this week’s Song Lyric Sunday, hosted by our friend Jim Adams.

Plenty of material to choose from once you start looking. The Lion King is a favorite musical of mine and this beautiful song, ‘Spirit” by Beyonce is perfect for the prompt. It refers to our path in life and need for strength while facing the unknown as in Simba’s journey after the death of his father, Mufasa I hope you enjoy it along with the beautifully produced video.

The Song

Beyoncé recorded this inspirational song for the soundtrack of the live-action remake of The Lion King and the companion album The Lion King: The Gift. It plays in the film during a pivotal scene with Nala, Simba’s childhood best friend and future love interest. Beyoncé also stars in the movie as the voice of the powerful Nala.

The Lion King tells the story of Simba, a young lion who struggles to succeed his father as King of the Pride Lands. The song starts off with a chant in Swahili, which translates as “long live the king.” The phrase acts as encouragement for the lion and his spirit to prevail.

Beyoncé co-wrote and co-produced this song of strength with:

Swedish-Persian songwriter IIya Salmanzadeh, who has co-penned several of Ariana Grande’s hits, including “Problem,” “No Tears Left to Cry,” “God Is A Woman” and “Break Up With Your Girlfriend, I’m Bored .”

English dance/hip-hop singer and producer Labrinth. Best known for his own hit single “Beneath Your Beautiful,” Labrinth has also contributed to tunes by Noah Cyrus (“Make Me (Cry)”), The Weeknd (“Losers”) and Nicki Minaj (“Majesty”).

Beyoncé produced and curated The Lion King: The Gift companion album. She said that the songs were inspired by the remake’s storyline, which “gives the listener a chance to imagine their own imagery, while listening to a new contemporary interpretation.”

The song’s music video features shots of Beyoncé rocking some colorful gowns against picturesque landscapes (parts of the visual were shot at Havasu Falls in Arizona). Those scenes are interspersed with clips from The Lion King. Her daughter, Blue Ivy, also makes a brief appearance when she joins her mom among a troupe of dancers.

Beyoncé told ABC News’ Robin Roberts the concept of the video is “to show how God is the painter and natural beauty in nature needs no art direction.”

“It’s the beauty of color, the beauty of melanin, the beauty of tradition,” she added.

The Lyrics

Uishi kwa muda mrefu mfalme
(Uishi kwa, uishi kwa)
Uishi kwa muda mrefu mfalme
(Uishi kwa, uishi kwa)

Yeah, yeah, and the wind is talkin'
Yeah, yeah, for the very first time
With a melody that pulls you towards it
Paintin' pictures of paradise

Sayin' rise up to the light in the sky, yeah
Watch the light lift your heart up
Burn your flame through the night

Whoa, spirit
Watch the heavens open (open), yeah
Spirit, can you hear it callin'? (Callin')
Yeah

Yeah, yeah, and the water's crashin'
Trying to keep your head up high
While you're tremblin', that's when the magic happens
And the stars (stars) gather by (gather by)
By your side

Sayin' rise up to the light in the sky, yeah
Let the light lift your heart up
Burn your flame through the night

Yeah, spirit
Watch the heavens open (open), yeah
Spirit, can you hear it callin'? (Callin')
Yeah (yeah)

Your destiny is comin' close
Stand up and fight
So go into that far off land
And be one with the great I am, I am
Boy becomes a man

Whoa, spirit
Watch the heavens open (open), yeah
Spirit, can you hear it callin'? (Callin'?) Yeah
Spirit, yeah, watch the heavens open, open, yeah
Spirit, spirit, can you hear it callin'? (Callin')
Yeah (yeah)

Your destiny is comin' close
Stand up and fight
So go into a far off land
And be one with the great I am

Writer/s: Beyonce Gisselle Knowles, Ilya Salmanzadeh, Timothy Lee Mckenzie 
Publisher: Walt Disney Music Company
Lyrics licensed and provided by LyricFind

Courtesy of Songfacts

Song Lyric Sunday – Born on the Bayou


Our host for Song Lyric Sunday, Jim Adams, has given us the prompts of Birth, Death and Life this week. Thanks Jim, because now I can use one of my favorite Creedence Clearwater Revival songs, Born on the Bayou. I love vintage CCR and have included the best version of the song along with a video of the band from Woodstock. John Fogerty can still rock that song to this day!

The Song

Creedence Clearwater Revival frontman John Fogerty, who wrote the song, had never actually been to a bayou when he wrote the song – he researched it in encyclopedias and imagined a bayou childhood for the song’s narrative. Fogerty, who is from the very unswamplike Berkeley, California, got his first look at a bayou courtesy of John Fred, the one-hit wonder who sang “Judy In Disguise (with Glasses).” Fred was from Louisiana, and when Creedence played a show in Baton Rouge in 1969, he met Fogerty at a rehearsal and offered to take him to a real bayou. They drove 15 minutes to Bayou Forche, where they ate some crabs and crayfish, giving Fogerty the idea for this song.
In Rolling Stone’s “100 Greatest Guitar Songs” issue, Fogerty explained that the song originated when Creedence Clearwater Revival were booked at San Francisco’s Avalon Ballroom in 1968. Said Fogerty: “We were the #7 act on the bill, bottom of the totem pole. And as the first guys to go on, we were the last to soundcheck before they opened the doors. It was like, ‘Here’s the drums, boom, boom; here’s the guitar, clank, clank.’ I looked over at the guys and said, ‘Hey, follow this!’ Basically, it was the riff and the attitude of ‘Born on the Bayou,’ without the words.”

Drummer Doug Clifford remembers it happening in the Shrine Auditorium in Los Angeles. >>
Fogerty says the song was inspired by gospel music and popular movies. He explained in Bad Moon Rising: The Unofficial History of Creedence Clearwater Revivial, “‘Born on the Bayou’ was… about a mythical childhood and a heat-filled time, the Fourth of July. I put it in the swamp where, of course, I had never lived. I was trying to be a pure writer, no guitar in hand, visualizing and looking at the bare walls of my apartment. ‘Chasing down a hoodoo.’ Hoodoo is a magical, mystical, spiritual, non-defined apparition, like a ghost or a shadow, not necessarily evil, but certainly otherworldly.”

Hoodoo was the name of a 1976 solo album by Fogerty that he never released. By his own account, it was terrible. A couple of singles leaked out, though. Unfortunately for Fogerty, at least one (“You’ve got the Magic”) can be found on Youtube.
Fogerty considers this his favorite CCR song. He performed it on The Tonight Show with Jay Leno in November 2005. >>
This was the first song Creedence played in their set at Woodstock in 1969. They were a big part of the festival, performing 11 songs on the second day. The band first hit the stage at 3:30 am when the majority of the Woodstock crowd was zonked out. Fogerty recalled:

“We were ready to rock out and we waited and waited and finally it was our turn … there were a half million people asleep. These people were out. It was sort of like a painting of a Dante scene, just bodies from hell, all intertwined and asleep, covered with mud.

And this is the moment I will never forget as long as I live: A quarter mile away in the darkness, on the other edge of this bowl, there was some guy flicking his Bic [lighter], and in the night I hear, ‘Don’t worry about it, John. We’re with you.’ I played the rest of the show for that guy.”

The Foo Fighters covered this song at “Shelter from the Storm: A Concert for the Gulf Coast” following Hurricane Katrina in 2005.


Doug Clifford said “Born on the Bayou” is his favorite CCR song, “bar none.”
“Born on the Bayou,” “Proud Mary,” and “Choolgin'” were all connected in John Fogerty’s mind. In Bad Moon Rising, he said, “I was writing these at night, and I remember that Bobby Kennedy got killed during this time. I saw that late at night. They kept showing it over and over. ‘Bayou’ and ‘Proud Mary’ and ‘Chooglin” were all kind of cooking at that time. I’d say that was when the whole swamp bayou myth was born—right there in a little apartment in El Cerrito. It was late at night and I was probably delirious from lack of sleep. I remember that I thought it would be cool if these songs cross-referenced each other. Once I was doing that, I realized that I was kind of working on a mythical place.”
This is referenced in Stephen King’s 1978 short story collection, Night Shift. It plays on the truck stop jukebox in the story “Trucks.”

The Lyrics

Now, when I just was a little boy
Standin' to my Daddy's knee
My poppa said "Son, don't let the man get you
And do what he done to me

I can remember the fourth of July
Runnin' through the backwood bare
And I can still hear my old hound dog barkin'
Chasin' down a hoodoo there
Chasin' down a hoodoo there

Born on the Bayou
Born on the Bayou
Born on the Bayou

Wish I was back on the Bayou,
Rollin' with some Cajun Queen.
Wishin' I where a fast freight train
Just a chooglin' on down to New Orleans
Born on the Bayou
Born on the Bayou
Born on the Bayou

I can remember the fourth of July,
Runnin' through the back wood bare.
And I can still hear my old hound dog barkin'
Chasin' down a hoodoo there
Chasin' down a hoodoo there

Born on the Bayou
Born on the Bayou
Born on the Bayou

Written by John Fogerty

Summer Sentiments

Summer Sentiments

In the summertime
when days are long
and the heat lingers
into the night
Memories are made
and captured
like fireflies in a jar
Fascinating, full of wonder
Replaying moments
over and over
and holding on tight
so not one may escape
Until that bittersweet moment
when you must release 
and set them free


Copyright © 2021 Christine Bolton - Poetry for Healing
All Rights Reserved

Lillian is hosting D’Verse Poets tonight and has
Sent us back in time.  She asked us to find a song that was a hit on our birthday at any time in the past.  We used a website called http://mybirthdayhits.com/ It was a fun thing to look up.  On one of my birthdays, the song “In the Summertime” by Mungo Jerry was #1 for seven weeks.  Whenever I hear it I immediately smile.  It brings back many memories for me.  I have included it below.  I hope you enjoy too.

Word prompts 

Escape - RDP
Bittersweet - Word if the Day

Song Lyric Sunday – My Sweet Lord

The prompts for this week’s Song Lyric Sunday are Delightful, Pleasant and Sweet suggested by our friend Paula from Light Motifs. It wouldn’t surprise me if we have some repeats again this week as there are a lot of songs with the word ’Sweet’ in the title. I was spoilt for choice but I have picked a favorite, ”My Sweet Lord” by George Harrison. I will never get tired of hearing it. There is a lot of history behind this song so I hope you enjoy reading about it too.

The Song

This was Harrison’s first single as a solo artist, and it was his biggest hit. The song is about the Eastern religions he was studying.

Highly unusual for a hit song, Harrison repeats part of a Hindu mantra in the lyric when he sings, “Hare Krishna… Krishna, Krishna.” When set to music, this mantra is typically part of a chant that acts as a call to the Lord. Harrison interposes it with a Christian call to faith: “Hallelujah” – he was pointing out that “Hallelujah and Hare Krishna are quite the same thing.”

In the documentary The Material World, Harrison explains: “First, it’s simple. The thing about a mantra, you see… mantras are, well, they call it a mystical sound vibration encased in a syllable. It has this power within it. It’s just hypnotic.”


In 1971, Bright Tunes Music sued Harrison because this sounded too much like the 1963 Chiffons hit “He’s So Fine.” Bright Tunes was controlled by The Tokens, who set it up when they formed the production company that recorded “He’s So Fine” – they owned the publishing rights to the song.

During the convoluted court case, Harrison explained how he composed the song: He said that in December 1969, he was playing a show in Copenhagen, Denmark, with the group Delaney and Bonnie, whose piano player was Billy Preston (who contributed to some Beatles recordings). Harrison said that he started writing the song after a press conference when he slipped away and started playing some guitar chords around the words “Hallelujah” and “Hare Krishna.” He then brought the song to the band, who helped him work it out as he came up with lyrics. When he returned to London, Harrison worked on Billy Preston’s album Encouraging Words. They recorded the song for the album, which was released on Apple Records later in 1970, and Harrison filed a copyright application for the melody, words and harmony of the song. Preston’s version remained an album cut, and it was Harrison’s single that was the huge hit and provoked the lawsuit, which was filed on February 10, 1971, while the song was still on the chart.

In further testimony, Harrison claimed he got the idea for “My Sweet Lord” from The Edwin Hawkins Singers’ “Oh Happy Day,” not “He’s So Fine.”

When the case was filed, Harrison’s manager was Allen Klein, who negotiated with Bright Tunes on his behalf. The case was delayed when Bright Tunes went into receivership, and was not heard until 1976. In the meantime, Harrison and Klein parted ways in bitter fashion, and Klein began consulting Bright Tunes. Harrison offered to settle the case for $148,000 in January 1976, but the offer was rejected and the case brought to court.

The trial took place February 23-25, with various expert witnesses testifying. The key to the case was the musical pattern of the two songs, which were both based on two musical motifs: “G-E-D” and “G-A-C-A-C.” “He’s So Fine” repeated both motifs four times, “My Sweet Lord” repeated the first motif four times and the second motif three times. Harrison couldn’t identify any other songs that used this exact pattern, and the court ruled that “the two songs are virtually identical.” And while the judge felt that Harrison did not intentionally copy “My Sweet Lord,” that was not a defense – thus Harrison was on the hook writing a similar song without knowing it. Harrison was found guilty of “subconscious plagiarism” in a verdict handed down on August 31, 1976.

Assessing damages in the case, the judge determined that “My Sweet Lord” represented 70% of the airplay of the All Things Must Pass album, and came up with a total award of about $1.6 million. However, in 1978 Allen Klein’s company ABKCO purchased Bright Tunes for $587,000, which prompted Harrison to sue. In 1981, a judge decided that Klein should not profit from the judgment, and was entitled to only the $587,000 he paid for the company – all further proceeds from the case had to be remitted back to Harrison. The case dragged on until at least 1993, when various administrative matters were finally settled.

The case was a burden for Harrison, who says he tried to settle but kept getting dragged back to court by Bright Tunes. After losing the lawsuit, he became more disenfranchised with the music industry, and took some time off from recording – after his 1976 album Thirty Three & 1/3, he didn’t release another until his self-titled album in 1979. He told Rolling Stone, “It’s difficult to just start writing again after you’ve been through that. Even now when I put the radio on, every tune I hear sounds like something else.”

This was recorded at Abbey Road studios using the same equipment The Beatles used. There were some familiar faces at the sessions who had contributed to Beatles albums, including John Lennon, Yoko Ono, Billy Preston and Eric Clapton. Bobby Whitlock was friends with Harrison and Clapton, and played keyboards on the album. When Songfacts spoke with Whitlock, he shared his thoughts:

“That whole session was great. George Harrison, what a wonderful man. All the time that I ever knew him, which was from 1969 to his passing, he was a wonderful man. He included everyone on everything he did because there was enough for all.”

Whitlock adds, “All during the sessions, the door would pop open and in would spring three or four or five Hare Krishnas in their white robes and shaved heads with a pony tail coming out the top. They were all painted up, throwing rose petals and distributing peanut butter cookies.”

This was the first #1 hit for any Beatle after the band broke up. Harrison became the first Beatle to release a solo album when he issued Wonderwall Music, the soundtrack to the movie Wonderwall, in 1968.

When this song was released, the phrase “Hare Krishna” was associated with a religious group called the International Society for Krishna Consciousness, whose members would often approach passengers in airports, seeking donations and trying to solicit members. Individuals in this group became popularly known as “Hare Krishnas,” with a generally negative connotation.

The Lyrics

My sweet Lord
Mm, my Lord
Mm, my Lord

I really want to see you
Really want to be with you
Really want to see you, Lord
But it takes so long, my Lord

My sweet Lord
Mm, my Lord
Mm, my Lord

I really want to know you
Really want to go with you
Really want to show you, Lord
That it won't take long, my Lord

(Hallelujah)
My sweet Lord
(Hallelujah)
Mm my Lord
(Hallelujah)
My sweet Lord
(Hallelujah)

Really wanna see you
Really wanna see you
Really wanna see you, Lord
Really wanna see you, Lord
But it takes so long, my Lord

(Hallelujah)
My sweet Lord
(Hallelujah)
Mm, my Lord
(Hallelujah)
My my my Lord
(Hallelujah)

I really wanna know you
(Hallelujah)
Really wanna go with you
(Hallelujah)
Really wanna show you, Lord
That it won't take long, my Lord
(Hallelujah)

Mmm
(Hallelujah)
My sweet Lord
(Hallelujah)
My my Lord
(Hallelujah)

Mmm my Lord
(Hare Krishna)
My my my Lord
(Hare Krishna)
Oh my sweet Lord
(Krishna, Krishna)
Oohh
(Hare Hare)
Now I really wanna see you
(Hare Rama)
Really wanna be with you
(Hare Rama)
Really wanna see you, Lord
But it takes so long, my Lord
(Hallelujah)
Mmmm my Lord
(Hallelujah)
My my my Lord
(Hare Krishna)
My sweet Lord
(Hare Krishna)
My sweet Lord
(Krishna, Krishna)
My Lord
(Hare Hare)
Mmmm
(Gurur Brahma)
Mmmm
(Gurur Vishnu)
Mmmm
(Gurur Devo)
Mmmm
(Maheshwara)
My sweet Lord
(Gurur Sakshaat)
My sweet Lord
(Parabrahma)
My, my my Lord
(Tasmayi Shree)
My, my my my Lord
(Guruve Namah)
My sweet Lord
(Hare Rama)
(Hare Krishna)
My sweet Lord
(Hare Krishna)
My sweet Lord
(Krishna Krishna)

Writer/s: George Harrison 
Publisher: CONCORD and MUSIC PUBLISHING LLC, DistroKid
Lyrics licensed and provided by LyricFind

Courtesy of Songfacts

Song Lyric Sunday – Spirit in the Sky

This week Jim Adams has prompted us with Bird, Fly, Sky and Wing for the Song Lyric Sunday challenge. I have chosen Spirit in the Sky by Norman Greenbaum. Considering it was written and recorded in 1969, I think it still sounds great today. Turn the volume up high, it’s even better!

“Spirit in the Sky” makes several religious references to Jesus, although Greenbaum is Jewish. In a 2006 interview with the New York Times, Greenbaum told a reporter he was inspired to write the song after watching Porter Wagoner singing a gospel song on TV. Greenbaum said: “I thought, ‘Yeah, I could do that,’ knowing nothing about gospel music, so I sat down and wrote my own gospel song. It came easy. I wrote the words in 15 minutes.” 

Greenbaum had previously been a member of psychedelic jug band Dr. West’s Medicine Show and Junk Band. When they split up he won a solo contract with producer Erik Jacobsen for Reprise Records. Jacobsen had previously worked with The Lovin’ Spoonfuland the song was included on Greenbaum’s first solo album. 

The resulting sound was an “oddly compelling” combination of gospel and hard rock music, with loud drums, distorted electric guitar, clapping hands, and tambourines. The production team brought in the Stovall Sisters, an Oakland-based gospel trio, to sing backing vocals. Because of the song’s length and lyrics, the record company was initially reluctant to issue it, but was finally released as a single after two other singles from the album had poor sales. “Spirit in the Sky” became a worldwide hit, and was at the time the best-selling single ever for the Reprise label. 

About the song, Greenbaum has been quoted as saying, “It sounds as fresh today as when it was recorded. I’ve gotten letters from funeral directors telling me that it’s their second-most-requested song to play at memorial services, next to ‘Danny Boy’.”

Greenbaum’s version appears in a 2019 TV commercial for Budweiser.

Lyrics

Spirit in the Sky
Norman Greenbaum


When I die and they lay me to rest
Gonna go to the place that's the best
When I lay me down to die
Goin' up to the spirit in the sky
Goin' up to the spirit in the sky
That's where I'm gonna go when I die
When I die and they lay me to rest
Gonna go to the place that's the best

Prepare yourself you know it's a must
Gotta have a friend in Jesus
So you know that when you die
He's gonna recommend you
To the spirit in the sky
Gonna recommend you
To the spirit in the sky
That's where you're gonna go when you die
When you die and they lay you to rest
You're gonna go to the place that's the best

Never been a sinner I never sinned
I got a friend in Jesus
So you know that when I die
He's gonna set me up with
The spirit in the sky
Oh set me up with the spirit in the sky
That's where I'm gonna go when I die
When I die and they lay me to rest
I'm gonna go to the place that's the best
Go to the place that's the best

Source: LyricFind
Songwriters: Norman Greenbaum
Spirit in the Sky lyrics © Warner Chappell Music, Inc,
The Bicycle Music Company

Wherever You Will Go

Wherever You Will Go

My child
from long before I saw you
I loved you
we were contiguous
attached biologically
and therefore emotionally
 
We will always be connected
No matter where
on this earth we will be
I will feel your joy
and also, your pain
Your blood coursing in my veins
 
The one thing in my life
of which I am proud
giving life to you
So you could
spread your wings
and do amazing things
 
When I am gone
Who will light your shadows?
If I could, then I would
I’ll go wherever you will go
Way up high or down low
I’ll go wherever you will go
 
 
Christine Bolton – Poetry for Healing ©

Image by Gisela Merkuur from Pixabay

Gospel Isosceles is hosting D'Verse Poetics and has asked us
to share a song that has brought us to tears, and write a poem
about it. I have chosen a song called "Wherever You Will Go" by The Calling. It reminds me of my son when he was a teenager and how, as a parent, I wanted to protect him, always. I cry whenever I hear it. In the last stanza of my poem I have used some words from the song.
Below is the video. I hope you enjoy it.






 
 

Song Lyric Sunday – Leader Of The Band

Today the prompt for Song Lyric Sunday from Jim Adams, our host, is ‘Occupation’

I have chosen Leader Of The Band by Dan Fogelberg. This is a favorite of mine. Written in 1981, it is a beautiful story paying homage to his father, Lawrence, who indeed as a musician was a leader of his own band. Lawrence, was still alive when the song was written but died the following year.

It has a beautiful poetic quality to it and Dan Fogelberg had such a pure tone to his voice. This is a timeless song. Sadly he died in 2013

I hope you enjoy it.

Lyrics
Leader Of The Band

An only child, alone and wild, a cabinet maker's son,
His hands were meant for different work and his heart was known to none.
He left his home and went his lone and solitary way
And he gave to me a gift I know I never can repay.

A quiet man of music, denied a simpler fate,
He tried to be a soldier once but his music wouldn't wait.
He earned his love through discipline, a thund'ring, velvet hand.
His gentle means of sculpting souls took me years to understand

The leader of the band is tired and his eyes are growing old
But his blood runs through my instrument and his song is in my soul.
My life has been a poor attempt to imitate the man.
I'm just a living legacy to the leader of the band.

My brothers' lives were different, for they heard another call.
One went to Chicago and the other to Saint Paul
And I'm in Colorado, when I'm not in some hotel
Living out this life I've chosen, come to know so well.

I thank you for the music and your stories of the road
I thank you for the freedom when it came my time to go
I thank you for the kindness and the times when you got tough
And, Papa, I don't think I said "I love you" near enough.

The leader of the band is tired and his eyes are growing old
But his blood runs through my instrument and his song is in my soul.
My life has been a poor attempt to imitate the man.
I'm just a living legacy to the leader of the band.
I am the living legacy to the leader of the band.

Written by Dan Fogelberg - 1981

Song Lyric Sunday – Oct. 7 – FIND

 

The week’s Song Lyric Sunday Prompt is “Find/Found”

There are so many good ones to choose from but this week I picked this old favorite by Lou Rawls.  I just love his voice!

In response to Helen Vahdati’s Song Lyric Sunday

 

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You’ll Never Find Another Love Like Mine
Lou Rawls
You’ll never find, as long as you live
Someone who loves you tender like I do
You’ll never find, no matter where you search
Someone who cares about you the way I do
Whoa, I’m not braggin’ on myself, baby
But I’m the one who loves you
And there’s no one else! No one else!
You’ll never find, it’ll take the end of all time
Someone to understand you like I do
You’ll never find the rhythm, the rhyme
All the magic we shared, just us two
Whoa, I’m not tryin’ to make you stay, baby
But I know some how, some day, some way
You are (you’re gonna miss my lovin’)
You’re gonna miss my lovin’ (you’re gonna miss my lovin’)
You’re gonna miss my lovin’ (you’re gonna miss my lovin’)
You’re gonna miss, you’re gonna miss my lo-o-ove
Late in the midnight hour, baby (you’re gonna miss my lovin’)
When it’s cold outside (you’re gonna miss my lovin’)
You’re gonna miss, you’re gonna miss my lo-o-ove
You’ll never find another love like mine
Someone who needs you like I do
You’ll never see what you’ve found in me
You’ll keep searching and searching your whole life through
Whoa, I don’t wish you no bad luck, baby
But there’s no ifs and buts or maybes
You’re gonna miss my lovin’ (you’re gonna miss my lovin’)
I know you’re gonna my lovin’ (you’re gonna miss my lovin’)
You’re gonna miss, you’re gonna miss my lo-o-ove
Whoa, oh, oh, oh, oh (you’re gonna miss my lovin’)
Late in the midnight hour, baby (you’re gonna miss my lovin’)
When it gets real cold outside (you’re gonna miss my lovin’)
I know, I know that you are gonna miss my lo-o-ove
Let me tell you that you’re gonna miss my lovin’
Yes you will, baby (you’re gonna miss my lovin’)
When I’m long gone
I know, I know, I know that you are gonna miss
Songwriters: Kenny Gamble / Leon Huff
You’ll Never Find Another Love Like Mine lyrics © Warner/Chappell Music, Inc

Song Lyric Sunday – Man in the Mirror

There are a few obvious “Glass” choices for this week’s song lyric challenge but this one from Michael Jackson, Man in the Mirror, has a strong message and such passion I just have to share it. Michael’s voice was so beautiful.

Enjoy your Sunday!

In response to Helen Vahdati’s Song Lyric Sunday 09/16

Man in the Mirror

Michael Jackson

[Verse 1]
I’m gonna make a change
For once in my life

It’s gonna feel real good
Gonna make a difference
Gonna make it right

As I turned up the collar on my favorite winter coat
This wind is blowin’ my mind

I see the kids in the street, with not enough to eat
Who am I to be blind, pretending not to see their needs

A summer’s disregard, a broken bottle top
And one man’s soul
They follow each other on the wind, ya know
‘Cause they got nowhere to go
That’s why I want you to know
[Chorus]
I’m starting with the man in the mirror
I’m asking him to change his ways
And no message could have been any clearer
If you wanna make the world a better place
Take a look at yourself and then make a change
[Verse 2]
I’ve been a victim of a selfish kinda love
It’s time that I realize
There are some with no home
Not a nickel to loan
Could it be really me pretending that they’re not alone

A willow deeply scarred, somebody’s broken heart
And a washed out dream

They follow the pattern of the wind, ya see
‘Cause they got no place to be
That’s why I’m starting with me

[Extended Chorus]
I’m starting with the man in the mirror
I’m asking him to change his ways
And no message could have been any clearer
If you wanna make the world a better place
Take a look at yourself and then make a change

I’m starting with the man in the mirror
I’m asking him to change his ways
And no message could have been any clearer
If you wanna make the world a better place
Take a look at yourself and then make that change

I’m starting with the man in the mirror (Man in the mirror, oh yeah)
I’m asking him to change his ways (Change his ways)
(Come on, change)
And no message could have been any clearer

[Bridge]
If you wanna make the world a better place
Take a look at yourself and then make the change
You gotta get it right, while you got the time
‘Cause when you close your heart (You can’t)
Then you close your mind (Close your, your mind!)

[Chorus]
(That man, that man) I’m starting with the man in the mirror
(That man)
(Ooh!)
(That man, that man) I’m asking him to change his ways
(That man, the man)
(Change his ways, ooh!)
And no message could have been any clearer
If you want to make the world a better place
Take a look at yourself and then make that
(Take a look at yourself and then make that)
Change!

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